From ‘Soledad’ to Hope, With Lynch and Lana

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SOLEDAD is a new journal from my good friend Jeremy Richey, the maestro behind ART DECADES. Soledad is (of course) the Spanish word for solitude, which is one of my favourite things. It can be sad, but also beautiful – a state of mind reflected in the magazine’s black and white imagery. I’m proud to have contributed a sixteen-page article about David Lynch’s return to Twin Peaks for the first volume. It’s the opening instalment in a two-part series, and while I can’t promise to unlock all of its mysteries, I hope fans of the show will enjoy my personal impressions. Continue reading →

Penny Marshall 1943-2018

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Carole Penny Marshall was born in the Bronx in 1943. Her mother Marjorie ran a dance school, and her father directed industrial films. Of Italian descent, he had changed his name from Masciarelli to Marshall. Their youngest daughter was named after Carole Lombard, the much-loved comedic actress and wife of Clark Gable, who had died in a plane crash the year before. Young Carole’s middle name was inspired by her sister Ronny, who was ‘saving her pennies’ to buy a horse: and it was that name, ‘Penny’, which finally stuck. The family lived in a building which also housed the young Neil Simon, Paddy Chayevsky, Calvin Klein and Ralph Lauren.  Continue reading →

2018: A Year In Books

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With her third novel, My Year of Rest and Relaxation, Ottessa Moshfegh confirms herself as a major writer of our time. This darkly comic tale follows the sleepy adventures of a young, beautiful and rich but miserable New Yorker who embarks on a drug-fuelled sabbatical at the dawn of the 21st century. Moshfegh’s mischievous delight in the squalid details of everyday life powers her absurd yet visionary narrative.  Continue reading →

2018: A Year in Film and TV

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I’m lucky enough to live just around the corner from the Duke of York’s, England’s oldest independent cinema; and so this year I made the most of my Picturehouse membership. I like movies that blend a touch of realism with a sense of style: Sean Baker’s The Florida Project, Mike Leigh’s Peterloo and Kore-Eda Hirokazu’s Shoplifters satisfied those needs.  Continue reading →

2018: A Year in Music

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She may have left the stage decades ago, but 2018 was a vintage year for die-hard fans of the mysterious Bobbie Gentry, with a rare vinyl release on Record Store Day followed in September by a career-spanning CD box-set, The Girl From Chickasaw County.  Continue reading →