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Tara Hanks

~ Author of 'The Mmm Girl' and 'Wicked Baby'

Tara Hanks

Tag Archives: David Lynch

2020: A Year in Film

30 Wednesday Dec 2020

Posted by marina72 in Books, Brighton, Film, Marilyn Monroe, Non-Fiction, Television

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A Year in Films and TV, Andrew Patterson, August Wilson, Beanpole, Billie, Billie Holiday, Brighton, Calm With Horses, Carole Lombard, Chadwick Boseman, David Lynch, Day By Day With Marilyn, Diana Rigg, Duke of York's Brighton, Edward Norton, Eliza Hittman, Eva Riley, Film Noir, George C. Wolfe, Hollywood's Hard-Luck Dames, James Erskine, Kantemir Balagov, Laura Wagner, Linda Manz, Lucky Grandma, Ma Rainey's Black Bottom, Marilyn Monroe, Michelle Morgan, Motherless Brooklyn, Neo-Noir, Never Rarely Sometimes Always, Nick Rowland, Perfect 10, Russia, Sasie Sealy, The Last Interview, The Vast of Night, Tsai Chin, Veronica Lake, Viola Davis

Photo by Curtis Tappenden

This photo was taken in Brighton just two winters ago, but it already feels like a distant memory. Founded in 1910, the Duke of York’s is the oldest operating cinema in Britain, and I’ve been a customer, on and off, for the last quarter-century. The last film I saw there, back in February, was (ironically) Parasite. After four months in lockdown the Duke’s reopened in July, but by October its parent company Cineworld had announced that all theatres would close indefinitely. Now this grand old building is boarded up, a sorry sight – and it’s just one of many venues facing an uncertain future. I’ve really missed the cinema, though streaming has offered an alternative of sorts. As an old friend told me recently, we all need a little glamour in our lives – and so I hope 2021 is kinder to the arts than this year has been. Continue reading →

Agency and Imagination in the Films of David Lynch

07 Monday Dec 2020

Posted by marina72 in Books, Film, Non-Fiction

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Agency and Imagination in the Films of David Lynch, Blue Velvet, Candace R. Craig, David Lynch, Eraserhead, Film Noir, Inland Empire, James D. Reid, Lost Highway, Mulholland Drive, Neo-Noir, Philosophy, The Straight Story, Twin Peaks, Wild at Heart

A beautiful, dark-haired woman flees from a car wreck and wakes up in a stranger’s apartment, suffering from amnesia. When asked her name, she looks at an old movie poster on the wall, and focuses on its star: “Rita.” This pivotal moment from Mulholland Dr. (2001) adorns the cover of a new book about director David Lynch, as it was that film which sparked the interest of its two authors. Continue reading →

My Hopes and Fears for 2020

31 Tuesday Dec 2019

Posted by marina72 in Books, Film, Lana Del Rey, Music, Poetry, Politics, Television, Updates, Writing

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1st September 1939, A Year in Books, A Year in Films and TV, A Year in Music, Art Decades, David Lynch, Dear Christine, Donna Tartt, ES Updates, Everlasting Star, Fan Phenomena, James Gray, Jeremy Corbyn, Lana Del Rey, Marilyn Monroe, Marion Cotillard, Poetry, Socialism, Soledad, The Goldfinch, The Immigrant, Twin Peaks, Ultraviolence, Video Games, W.H. Auden

As a new decade beckons, I’m deeply worried about the way our world seems to be heading. As W.H. Auden wrote on ‘September 1, 1939‘ (a poem deemed so prescient he tried to bury it …) Continue reading →

Soledad 3: Twin Peaks, Blondie and More

13 Wednesday Nov 2019

Posted by marina72 in Periodicals, Television, Updates

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Blondie, Carol Lynley, David Lynch, Debbie Harry, Robert Forster, Soledad, Tara Hanks, Twin Peaks

The third issue of SOLEDAD Arts Journal is now available to order via Amazon, for £5.18 in the UK or a devilish $6.66 Stateside. The cover photo shows Carol Lynley, who sadly passed away recently, with Gig Young in The Shuttered Room (1967), to which editor Jeremy Richey pays tribute inside. This issue’s muse is Debbie Harry, with Blondie lyrics peppered throughout, and a profile by superfan Dave Stewart (no, not that one.) Debbie was my first pop idol, and her recent memoir, Face It, has brought me back into the fold.

Still on the music front, Jeremy has also interviewed Texan duo Teenage Cavegirl, and Steven Darrow from Sonic Medusa and Sister Midnight. There are short stories by Les Bohem and Robert Monell, poems by Emily Clare Bryant, and photography by Amy Pangburn. John Greco talks about his Noir fiction, and Marcelline Block writes about reading in the digital age. As always, the film world is well-represented, with a review of a new Scorpio Films anthology – including Obsessions (Hole in the Wall), co-scripted by a young Martin Scorsese – and an insightful essay by Laura Kupp Beerman, ‘Seen/Unseen: Halloween, Peeping Tom and Empire of Signs.’

And finally, the concluding part of my Twin Peaks trilogy is also published in this issue, which I’ll dedicate to Robert Forster, who played Sheriff Frank Truman in the revival. He had a long and varied career, from his debut in Reflections in a Golden Eye (1967), through to his comeback in Jackie Brown (1999) and Mulholland Drive (2001.) His surprise appearance in El Camino, the Breaking Bad sequel which aired last month, will now be remembered as his swansong.

Soledad 2: Twin Peaks, Joe D’Amato and More

13 Thursday Jun 2019

Posted by marina72 in Film, Periodicals, Television, Updates, Writing

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1989, Colette, David Lynch, Emily Jane Bryant, Heather Drain, Jeremy Richey, Joe D'Amato, John David Levy, Johnny Handsome, Les Bohem, Like A Prayer, Madonna, Marcelline Block, Michael A. Gonzales, Mickey Rourke, Peggy Lipton, Poetry, Robert Monell, Rory DeMaio, Soledad, Twin Peaks

The Italian actress Cinzia Monreale lies in her coffin on the cover of SOLEDAD Arts Journal‘s second volume, available now on Amazon for just $6 in the US, or £4.73 in the UK. It’s a still from Buio Omega (Beyond the Darkness), a 1979 horror flick, accompanied by a splendidly bizarre quote: “Darkness is not dark … time is not time … boys become dogs … girls become frogs …”  Continue reading →

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