Tags
Aaron Darc, David Lynch, Hope Is A Dangerous Thing For A Woman Like Me To Have - But I Have It, Jeremy Richey, Lana Del Rey, Marilyn Monroe, Remix, Soledad, Twin Peaks
SOLEDAD is a new journal from my good friend Jeremy Richey, the maestro behind ART DECADES. Soledad is (of course) the Spanish word for solitude, which is one of my favourite things. It can be sad, but also beautiful – a state of mind reflected in the magazine’s black and white imagery. I’m proud to have contributed a sixteen-page article about David Lynch’s return to Twin Peaks for the first volume. It’s the opening instalment in a two-part series, and while I can’t promise to unlock all of its mysteries, I hope fans of the show will enjoy my personal impressions. Continue reading
I have written two new reviews for the Immortal Marilyn website. The first, 
These rare stills are taken from amateur footage filmed in July 1960 by Frieda Hull, one of the fabled ‘Monroe Six’, as Marilyn arrived in New York to make test shots for The Misfits. Miss Hull’s vast archive of candid images went under the hammer at Julien’s Auctions last November, alongside never-seen items from the Lee Strasberg estate and movie costumes collected by David Gainsborough Roberts, in the largest dedicated sale since the Christie’s auction of 1999. This one-off event – raising $11 million in total bids – was the subject of a recent Channel 4 documentary, Marilyn Monroe: Auction of a Lifetime, which I’ve reviewed at 
After his great performances in W.E., Inside Llewyn Davis and The Two Faces of January, Oscar Isaac is fast becoming my favourite contemporary actor. He has gone from strength to strength in 2015, with big and small-screen gems set in 1980s New York: A Most Violent Year, about an ambitious businessman trying to stay on the right side of the law; and Show Me a Hero, an HBO mini-series telling the true story of Nick Wasicsko, who became mayor of Yonkers during a bitterly divisive public housing crisis. 