Tags
All About Eve, Amanda Konkle, Audrey Hepburn, Billy Wilder, Breakfast at Tiffany's, Bus Stop, Clash By Night, Don't Bother To Knock, Gentlemen Prefer Blondes, George Axelrod, How to Marry a Millionaire, Jack Cole, Jayne Mansfield, Kim Stanley, Let's Make Love, Love Happy, Lucille Ball, Marilyn Monroe, Method Acting, Monkey Business, Niagara, O. Henry's Full House, Some Kind of Mirror: Creating Marilyn Monroe, Some Like It Hot, The Asphalt Jungle, The Misfits, The Prince And The Showgirl, The Seven Year Itch, We're Not Married
In 1954, Marilyn Monroe was rehearsing ‘Do It Again’ as part of her show for U.S. troops in Korea, when the officer in charge of her tour deemed the Gershwin standard “too suggestive,” and insisted she change the title to ‘Kiss Me Again.’ “People had a habit of looking at me as if I were some kind of mirror instead of as a person,” she remarked in her memoir, My Story. “They didn’t see me, they saw their own lewd thoughts.” Her comment inspired the title (and epigraph) for a new book, Some Kind of Mirror: Creating Marilyn Monroe by Amanda Konkle, assistant professor of literature and film studies at Georgia Southern University. Continue reading
After his great performances in W.E., Inside Llewyn Davis and The Two Faces of January, Oscar Isaac is fast becoming my favourite contemporary actor. He has gone from strength to strength in 2015, with big and small-screen gems set in 1980s New York: A Most Violent Year, about an ambitious businessman trying to stay on the right side of the law; and Show Me a Hero, an HBO mini-series telling the true story of Nick Wasicsko, who became mayor of Yonkers during a bitterly divisive public housing crisis. 
The Misfits (1961) was reissued in the UK and Ireland in June, and also headlined a major retrospective, ‘Marilyn’, at the British Film Institute on London’s Southbank. The month-long season featured all but one of the sixteen films Marilyn Monroe made from 1952-62, of which The Misfits would be her last. 
