Tags
All About Eve, Amanda Konkle, Audrey Hepburn, Billy Wilder, Breakfast at Tiffany's, Bus Stop, Clash By Night, Don't Bother To Knock, Gentlemen Prefer Blondes, George Axelrod, How to Marry a Millionaire, Jack Cole, Jayne Mansfield, Kim Stanley, Let's Make Love, Love Happy, Lucille Ball, Marilyn Monroe, Method Acting, Monkey Business, Niagara, O. Henry's Full House, Some Kind of Mirror: Creating Marilyn Monroe, Some Like It Hot, The Asphalt Jungle, The Misfits, The Prince And The Showgirl, The Seven Year Itch, We're Not Married
In 1954, Marilyn Monroe was rehearsing ‘Do It Again’ as part of her show for U.S. troops in Korea, when the officer in charge of her tour deemed the Gershwin standard “too suggestive,” and insisted she change the title to ‘Kiss Me Again.’ “People had a habit of looking at me as if I were some kind of mirror instead of as a person,” she remarked in her memoir, My Story. “They didn’t see me, they saw their own lewd thoughts.” Her comment inspired the title (and epigraph) for a new book, Some Kind of Mirror: Creating Marilyn Monroe by Amanda Konkle, assistant professor of literature and film studies at Georgia Southern University. Continue reading
The Misfits (1961) was reissued in the UK and Ireland in June, and also headlined a major retrospective, ‘Marilyn’, at the British Film Institute on London’s Southbank. The month-long season featured all but one of the sixteen films Marilyn Monroe made from 1952-62, of which The Misfits would be her last. 
