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Tara Hanks

~ Author of 'The Mmm Girl' and 'Wicked Baby'

Tara Hanks

Category Archives: Art and Photography

2020: A Year In Books

22 Tuesday Dec 2020

Posted by marina72 in Art and Photography, Books, Fiction, Non-Fiction

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A Thousand Moons, A Year in Books, Adiana Shibli, Ana Maria Matute, Arthur Morrison, Celia Stahr, Daddy, Death In Her Hands, Eimear McBride, Elena Ferrante, Emma Cline, Emma Donoghue, Erika Lee Sears, Ethel Carnie Holdsworth, Fernanda Melchor, Frida in America, Frida Kahlo, Frida Kahlo and San Francisco, Graphic Novel, Hettie Judah, Hitting a Straight Lick With a Crooked Stick, Hurricane Season, Irish Literature, Jack, Louise Erdrich, Marilynne Robinson, Mexico, Minor Detail, Native American Literature, Ottessa Moshfegh, Palestine, Rickard Sisters, Robert Tressell, Sam Selvon, Sebastian Barry, Short Stories, Socialism, Spain, Strange Hotel, The Housing Lark, The Island, The Last Interview, The Lying Life of Adults, The Night Watchman, The Pull of the Stars, The Ragged Trousered Philanthropists, Windrush, Working Class Writers, Zora Neale Hurston

Art by Erika Lee Sears

The turmoil of 2020 hasn’t affected my reading much, although I miss going to the library and have turned instead to Kindle. Among the 100+ books I’ve read this year, I’ve enjoyed discoveries old and new, plus the latest output from my favourite contemporary authors. However, some of my greatest pleasures lay in neglected midcentury classics which finally got their due. Continue reading →

2020: A Year in Music

21 Monday Dec 2020

Posted by marina72 in Art and Photography, Music, Non-Fiction

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A Year in Music, Absolute Beginners, Angel Olsen, Blonde On the Tracks, Bob Dylan, Bobbie Gentry, Brighton, Change, Charley Pride, David Bowie, David Roback, Delta Sweete, Dirk Timmerman, Emma Swift, Fetch the Bolt Cutters, Fiona Apple, Ghost Highway, Hallucinogenics, L.A. Witch, Lana Del Rey, Lissie, Little Bastards, Madonna, Madonna: The Day I Was There, Matt Maeson, Mazzy Star, Play With Fire, Stargazing, The Kills, The Neighbourhood, Whole New Mess

It was the best of times, it was the worst of times. For music lovers, this was the year the stage went dark, and we sought comfort in our record collections. Then in April 2020, with the world in lockdown, Fiona Apple surprised us with Fetch the Bolt Cutters, her first album in eight years and perhaps, the wake-up call we all needed. Continue reading →

Violets, Flamingos and Heroes in Autumn

09 Friday Oct 2020

Posted by marina72 in Art and Photography, Books, Brighton, Music, Poetry, Profumo Affair

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Brighton, Christine Keeler, David Bowie, Dreadzone, Emily Capell, Flamingo, Flamingo Club, Geoff McCormack, Lana Del Rey, Mercy for Christine, NHS Heroes, Rosie the Riveter, Roxana Halls, Seymour Platt, The Skatalites, Violet Bent Backwards Over the Grass

On New Year’s Eve, I wrote here of my fears over where the world is heading. Little did I know that only a few weeks later we would be facing up to a pandemic. 2020 has been a strange, lonesome year for many of us. Continue reading →

Sal Jones Gives Christine (and Marilyn) the Last Laugh

12 Friday Jun 2020

Posted by marina72 in Art and Photography, Marilyn Monroe, Profumo Affair

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A Smile is a Smile, Background Bob, Christine Keeler, Cliveden, Nahum Baron, Noah Jones, Profumo Affair, Sal Jones, The Last Laugh, Thursday Club

London-based artist Sal Jones, whose paintings were featured in the recent exhibition, Dear Christine: A Tribute to Christine Keeler, has painted another portrait, ‘The Last Laugh,’ based on a candid photo taken by the pool at Cliveden during that fateful summer of 1961. Continue reading →

Dear Christine: A Tribute in Art, Poetry and Prose

13 Wednesday May 2020

Posted by marina72 in Art and Photography, Profumo Affair

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Alan Olley, Amanda Coe, Arthouse1, Barbara Howey, Bo Gorzelak Pedersen, Caroline Coon, Catherine Edmunds, Cathy Lomax, Charlotte Innes, Charlotte Metcalf, Christine Keeler, Claudia Clare, David Astbury, Dear Christine, Elysium Gallery, Fine Cell Work, Fionn Wilson, Guinevere Clark, Helen Billinghurst, J.V. Martin, James Birch, Jeni Williams, Jo Mazelis, JoWonder, Julia Maddison, Julie Burchill, Kalliopi Minioudaki, Kathryn Gray, Lewis Morley, London, Lucy Cox, Mandy Rice-Davies, Marguerite Horner, Mari Ellis Dunning, Murray's Cabaret Club, Natalie d'Arbeloff, Newcastle, Pal Hansen, Patrick Jones, Pauline Boty, Poetry, Profumo Affair, Rebecca Fairman, Roxana Halls, Sadie Hennessy, Sadie Lee, Sal Jones, Sarah Caulfield, Sarah Shaw, Seymour Platt, Shani Rhys James, Soho, Sonja Benskin Mesher, Stella Vine, Swansea, Tanya Gold, The Keeler Affair, Vane Gallery, Wales, Wendy Nelson

Dear Christine: A Tribute to Christine Keeler first took root in 2014, when Fionn Wilson painted a set of four portraits in black and white, based on 1960s photographs by Lewis Morley and others. Like myself, Fionn first discovered Keeler in retrospect. She asked other women artists, some of whom had lived through the Profumo Affair to contribute works about Christine. For many of us, her story represents a rite of passage. As Fionn notes in her foreword to the exhibition catalogue, the scandal “let the genie of sex out of the bottle” and “dealt a death blow” to class deference. At the same time, it unleashed a brave new world of tabloid exposure. “Never had the press been so bold and it has never looked back.” Continue reading →

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