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Tara Hanks

~ Author of 'The Mmm Girl' and 'Wicked Baby'

Tara Hanks

Tag Archives: World War II

SOLEDAD #6: Lana’s ‘Violet,’ Nouchka Van Brakel, and More

08 Sunday Aug 2021

Posted by marina72 in Books, Lana Del Rey, Periodicals, Poetry

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Jenny H. Batlay, Lana Del Rey, Marcelline Block, Nouchka Van Brakel, Ruth LaSure, Sam Nortey Jr., Samm Deigan, Soledad, Sunmates, Violet Bent Backwards Over the Grass, World War II

Issue 6 of SOLEDAD Arts Journal – out now via Amazon for just £3.13 in the UK, or $3.78 across the pond – is also the 20th volume from Nostalgia Kinky Publications, including predecessor ART DECADES (and I’m proud to have appeared in all but five.) This issue is peppered with lyrics from French singer-songwriter Véronique Sanson.

The cover story is an exclusive interview with Dutch filmmaker Nouchka Van Brakel, in conjunction with a new triple-boxset on Blu-Ray from Cult Epics. Editor Jeremy Richey has also spoken with film historian Samm Deigan about his new book, The Legacy of World War II in European Arthouse Cinema. Marcelline Block interviews author Sam Nortey Jr., who shares an extract from his novel, Thumbwars. Marcelline also contributes a scrapbook history of feminist artist and scholar, Jenny H. Batlay. There’s poetry from Marcelline and Ruth LaSure, and Emily Clare Bryant meets Sunmates, a synth-pop band from Lexington, Kentucky.

And finally, I’ve written a 24-page essay on Lana Del Rey’s debut poetry book/spoken-word album, Violet Bent Backwards Over the Grass. I hope you’ll enjoy delving into this fascinating project as much as I did.

Becoming Carole Lombard: Stardom, Comedy and Legacy

31 Friday Jul 2020

Posted by marina72 in Books, Film, Non-Fiction

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Alfred Hitchcock, Alva Johnston, Ben Hecht, Bosley Crowther, Carole Lombard, Cary Grant, Cecelia Ager, Charles Laughton, Clark Gable, David L. Selznick, Ernst Lubitsch, Fan Magazines, Feminism, Franklin D. Roosevelt, Fredric March, Garson Kanin, George Stevens, Howard Hawks, In Name Only, Jack Benny, John Barrymore, John Cromwell, Love Before Breakfast, Mack Sennett, Made for Each Other, Mr and Mrs Smith, My Man Godfrey, Nothing Sacred, Olympia Kiriakou, Protofeminism, Rebecca, Rhea Langham, Screwball Comedy, Silent Movies, They Knew What They Wanted, To Be Or Not to Be, Twentieth Century, Vigil in the Night, William Powell, William Wellman, Woman of the Year, World War II

“When Carole Lombard talks, her conversation, often brilliant, is punctuated by screeches, laughs, growls, gesticulations, and the expletives of a sailor’s parrot,” Noel F. Busch wrote in a 1938 cover story for LIFE magazine, headlined ‘A Loud Cheer for the Screwball Girl.’ The actress he described was seemingly not unlike the madcap heroines she often played. At thirty, she had appeared in a diverse range of films over thirteen years, and exerted a degree of control in her career unusual for a star in the studio era. However, more than eighty years later, Lombard is still perceived as a kooky comedienne, her life’s arc defined by subsequent events including her marriage to Clark Gable, and her untimely death in 1942. Continue reading →

‘Casablanca’ at the Picturehouse

14 Wednesday Feb 2018

Posted by marina72 in Anniversaries, Brighton, Film, History, Politics

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Brighton, Casablanca, Duke of York's Brighton, Humphrey Bogart, Ingrid Bergman, Refugee Crisis, World War II

One of the finest movies ever made, Casablanca, celebrated its 75th anniversary last year. As I joined a nearly full house at the Duke of York’s in Brighton last Sunday, I wondered whom in the audience were watching it for the first time, and how many had seen it numerous times on television. Most chuckled in recognition of its oft-quoted dialogue, whether familiar from past viewings or references in popular culture. Continue reading →

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