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“When Carole Lombard talks, her conversation, often brilliant, is punctuated by screeches, laughs, growls, gesticulations, and the expletives of a sailor’s parrot,” Noel F. Busch wrote in a 1938 cover story for LIFE magazine, headlined ‘A Loud Cheer for the Screwball Girl.’ The actress he described was seemingly not unlike the madcap heroines she often played. At thirty, she had appeared in a diverse range of films over thirteen years, and exerted a degree of control in her career unusual for a star in the studio era. However, more than eighty years later, Lombard is still perceived as a kooky comedienne, her life’s arc defined by subsequent events including her marriage to Clark Gable, and her untimely death in 1942. Continue reading
The Misfits (1961) was reissued in the UK and Ireland in June, and also headlined a major retrospective, ‘Marilyn’, at the British Film Institute on London’s Southbank. The month-long season featured all but one of the sixteen films Marilyn Monroe made from 1952-62, of which The Misfits would be her last. 
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