Alan Olley, Amanda Coe, Arthouse1, Barbara Howey, Bo Gorzelak Pedersen, Caroline Coon, Catherine Edmunds, Cathy Lomax, Charlotte Innes, Charlotte Metcalf, Christine Keeler, Claudia Clare, David Astbury, Dear Christine, Elysium Gallery, Fine Cell Work, Fionn Wilson, Guinevere Clark, Helen Billinghurst, J.V. Martin, James Birch, Jeni Williams, Jo Mazelis, JoWonder, Julia Maddison, Julie Burchill, Kalliopi Minioudaki, Kathryn Gray, Lewis Morley, London, Lucy Cox, Mandy Rice-Davies, Marguerite Horner, Mari Ellis Dunning, Murray's Cabaret Club, Natalie d'Arbeloff, Newcastle, Pal Hansen, Patrick Jones, Pauline Boty, Poetry, Profumo Affair, Rebecca Fairman, Roxana Halls, Sadie Hennessy, Sadie Lee, Sal Jones, Sarah Caulfield, Sarah Shaw, Seymour Platt, Shani Rhys James, Soho, Sonja Benskin Mesher, Stella Vine, Swansea, Tanya Gold, The Keeler Affair, Vane Gallery, Wales, Wendy Nelson
Dear Christine: A Tribute to Christine Keeler first took root in 2014, when Fionn Wilson painted a set of four portraits in black and white, based on 1960s photographs by Lewis Morley and others. Like myself, Fionn first discovered Keeler in retrospect. She asked other women artists, some of whom had lived through the Profumo Affair to contribute works about Christine. For many of us, her story represents a rite of passage. As Fionn notes in her foreword to the exhibition catalogue, the scandal “let the genie of sex out of the bottle” and “dealt a death blow” to class deference. At the same time, it unleashed a brave new world of tabloid exposure. “Never had the press been so bold and it has never looked back.” Continue reading
The Dear Christine symposium has been rescheduled for Saturday, March 28, at Deptford Town Hall, London from 12-6 pm – more details here. (Shown above is ‘Casting the First Stone’ by Marguerite Horner, oil on linen, 2017.)
UPDATE: Due to ongoing concerns about COVID-19, this symposium has been postponed until further notice.
Andrew Lloyd-Webber, BBC, Caroline Kennedy, Christine Keeler, Cliveden, Ernest Marples, Eugene Ivanov, Geoffrey Robertson, George Wigg, Harold Macmillan, John Profumo, Keeler Profumo Ward and Me, Lord Astor, Lord Denning, Lord Hailsham, Mandy Rice-Davies, Natalie Livingstone, Profumo Affair, Stephen Pound, Stephen Ward, Thomas Critchley, Tom Mangold
“The story that defined a decade of great change in Great Britain was my big break in Fleet Street, and I covered and loved every moment of it, from the ridiculous to the tragic …”
Tom Mangold, described in The Times as ‘the doyen of broadcast reporters’, began his career as an investigative journalist on Fleet Street before moving into television as a foreign correspondent, and has since made over 100 documentaries, including many for the BBC’s Panorama. But like many others drawn into the Profumo Affair, Mangold has never quite moved on from the 1963 scandal which still leaves more questions than answers.
Keeler, Profumo, Ward & Me is the third documentary on the subject in which Mangold has played a prominent role within the last decade: BBC Radio Four’s Profumo Confidential, which he presented, and ITV’s Sex, Lies and a Very British Scapegoat both aired in 2013, fifty years after the event. And as BBC1’s six-part drama, The Trial of Christine Keeler, sets the rumour mill in motion again, its final episode was followed immediately by Mangold’s latest account on BBC2. Continue reading
Due to unforeseen circumstances, I regret to tell you that ARTHOUSE1 is currently closed and the Dear Christine exhibition – plus a symposium scheduled for this Saturday – has been postponed until further notice. My sincere regards go out to everyone affected, and I hope to write more about this wonderful show in the near future. I currently have several related articles in the pipeline – including a review of the recent BBC documentary about the Profumo Affair, which I hope to post here later this week. (The above photo shows a print from a series by Lewis Morley, 1963, on loan from Camilla Shivarg; commissioned embroidery by Fine Cell Work, ‘Christine in Gold’; and ‘Portrait of a Lady’ by Sarah Shaw. And in the photo below is Fionn Wilson’s ‘Christine Mesmerises’, opposite the iconic Morley print.)