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'The Best Way to Forget Until You Find Something You Want to Remember', Amy Winehouse, Bette Davis, Christine Keeler, Cob Gallery, If You Don't Want My Peaches (You Better Stop Shaking the Tree), Jean Harlow, Jeanne Eagels, Kim Novak, Madonna, Marilyn Monroe, Nina Mae Fowler, Rita Hayworth, The Letter
Nina Mae Fowler is a British artist who trained at the University of Brighton, and lives in Norfolk. Her latest solo exhibition, If You Don’t Want My Peaches (You’d Better Stop Shaking the Tree), on display at London’s Cob Gallery until September 28, borrows its title from an Irving Berlin song, and draws heavily on the iconography of Hollywood’s golden age. I was delighted to find Jeanne Eagels among the subjects, as she is often neglected. This portrait shows Jeanne in her penultimate movie (and only surviving talkie), The Letter (1929.) Continue reading
After his great performances in W.E., Inside Llewyn Davis and The Two Faces of January, Oscar Isaac is fast becoming my favourite contemporary actor. He has gone from strength to strength in 2015, with big and small-screen gems set in 1980s New York: A Most Violent Year, about an ambitious businessman trying to stay on the right side of the law; and Show Me a Hero, an HBO mini-series telling the true story of Nick Wasicsko, who became mayor of Yonkers during a bitterly divisive public housing crisis. 
My review of Asif Kapadia’s documentary, Amy, is featured in Issue 5 of 
