30 Monday Jan 2023
Posted in Art and Photography, Film, Marilyn Monroe
≈ Comments Off on Zimbelism: Marilyn’s ‘Momento’ on 52nd and Lexington
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Billy Wilder, Canada, Garry Winogrand, George S. Zimbel, Joe DiMaggio, John F. Kennedy, Marilyn Monroe, Marilyn Monroe: Still Life, Momento, Natasha Lytess, New York, The Night I Shot Marilyn, The Seven Year Itch, Tom Ewell, Trans-Lux Theatre, Walter Winchell, Zimbelism
George S. Zimbel, the photographer who documented the shooting of Marilyn Monroe’s most famous movie scene, has died aged 93. Continue reading
25 Wednesday Jan 2023
Posted in Film, Marilyn Monroe
≈ Comments Off on ‘La Lollo’ in New York: When Gina Lollobrigida Met Marilyn
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Alberto Moravia, Beat the Devil, Cinecitta, Earl Wilson, Fidel Castro, Frank Sinatra, Gina Lollobrigida, Howard Hughes, Humphrey Bogart, Italy, Marilyn Monroe, Pope Francis, Rock Hudson, Sophia Loren, The Seven Year Itch, The Woman of Rome
Gina Lollobrigida, an icon of Italian cinema and one of the great post-war sex symbols, died aged 95 on January 16, 2023. Continue reading
29 Friday Jul 2022
Posted in Art and Photography, Books, Marilyn Monroe
≈ Comments Off on A Singular Loveliness: Marilyn’s Painterly Gesture
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Abstract Expressionism, Andy Warhol, Bert Stern, Cold War, Diamonds Are a Girl’s Best Friend, Feminism, Frida Kahlo, Gesture and Film, Gordon Parks, Griselda Pollock, Jayne Mansfield, Kerry Filer Harker, Killing Men and Dying Women, Korean War, Lee Krasner, Marilyn Monroe, Miscarriage, New York, Nicky Bird, Playboy, Sam Shaw, The Seven Year Itch, William de Kooning
In 2018, the feminist art historian Griselda Pollock gave a lecture on Marilyn Monroe at the Caixi Forum in Madrid. Despite the acres of coverage on Monroe’s life, Pollock stated, “there is very little analysis of her work. How did a white woman, uneducated and abused, become a star like one she was? Why was Andy Warhol crying at her death? Why did Elton John identify with her? Why did Madonna forge her image in Monroe’s likeness?” Continue reading
16 Sunday May 2021
Posted in Books, Film, Marilyn Monroe, Non-Fiction, Periodicals
≈ Comments Off on Marilyn Monroe: The Classic Performances
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Arthur Miller, As Young As You Feel, Billy Wilder, Bus Stop, Chris Wade, Clash By Night, Don't Bother To Knock, Gentlemen Prefer Blondes, How to Marry a Millionaire, John Huston, Ladies of the Chorus, Laurence Olivier, Love Happy, Love Nest, Marilyn Monroe, Marilyn Monroe: The Classic Performances, Monkey Business, Niagara, River of No Return, Scenes Magazine, Some Like It Hot, Sophia Loren, The Asphalt Jungle, The Countess From Hong Kong, The Misfits, The Prince And The Showgirl, The Seven Year Itch
“My God, I think there have been more books on Marilyn Monroe than on World War II, and there’s a great similarity.”
So said Billy Wilder, who made two classic films with Monroe – and although the great director was prone to exaggerate, he had the battle scars to prove his point. Marilyn Monroe: The Classic Performances is the latest in an ongoing series from the prolific Chris Wade – a musician and filmmaker in his own right, with an admirable DIY ethic – whose past subjects include Marlene Dietrich, Sophia Loren and Madonna. Continue reading
04 Sunday Aug 2019
Posted in Books, Film, Marilyn Monroe, Non-Fiction
≈ Comments Off on Some Kind Of Mirror: Creating Marilyn Monroe
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All About Eve, Amanda Konkle, Audrey Hepburn, Billy Wilder, Breakfast at Tiffany's, Bus Stop, Clash By Night, Don't Bother To Knock, Gentlemen Prefer Blondes, George Axelrod, How to Marry a Millionaire, Jack Cole, Jayne Mansfield, Kim Stanley, Let's Make Love, Love Happy, Lucille Ball, Marilyn Monroe, Method Acting, Monkey Business, Niagara, O. Henry's Full House, Some Kind of Mirror: Creating Marilyn Monroe, Some Like It Hot, The Asphalt Jungle, The Misfits, The Prince And The Showgirl, The Seven Year Itch, We're Not Married
In 1954, Marilyn Monroe was rehearsing ‘Do It Again’ as part of her show for U.S. troops in Korea, when the officer in charge of her tour deemed the Gershwin standard “too suggestive,” and insisted she change the title to ‘Kiss Me Again.’ “People had a habit of looking at me as if I were some kind of mirror instead of as a person,” she remarked in her memoir, My Story. “They didn’t see me, they saw their own lewd thoughts.” Her comment inspired the title (and epigraph) for a new book, Some Kind of Mirror: Creating Marilyn Monroe by Amanda Konkle, assistant professor of literature and film studies at Georgia Southern University. Continue reading
Tara Hanks 
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