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Tara Hanks

~ Author of 'The Mmm Girl' and 'Wicked Baby'

Tara Hanks

Tag Archives: The Asphalt Jungle

Marilyn Monroe: The Classic Performances

16 Sunday May 2021

Posted by marina72 in Books, Film, Marilyn Monroe, Non-Fiction, Periodicals

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Arthur Miller, As Young As You Feel, Billy Wilder, Bus Stop, Chris Wade, Clash By Night, Don't Bother To Knock, Gentlemen Prefer Blondes, How to Marry a Millionaire, John Huston, Ladies of the Chorus, Laurence Olivier, Love Happy, Love Nest, Marilyn Monroe, Marilyn Monroe: The Classic Performances, Monkey Business, Niagara, River of No Return, Scenes Magazine, Some Like It Hot, Sophia Loren, The Asphalt Jungle, The Countess From Hong Kong, The Misfits, The Prince And The Showgirl, The Seven Year Itch

“My God, I think there have been more books on Marilyn Monroe than on World War II, and there’s a great similarity.”

So said Billy Wilder, who made two classic films with Monroe – and although the great director was prone to exaggerate, he had the battle scars to prove his point. Marilyn Monroe: The Classic Performances is the latest in an ongoing series from the prolific Chris Wade – a musician and filmmaker in his own right, with an admirable DIY ethic – whose past subjects include Marlene Dietrich, Sophia Loren and Madonna. Continue reading →

Some Kind Of Mirror: Creating Marilyn Monroe

04 Sunday Aug 2019

Posted by marina72 in Books, Film, Marilyn Monroe, Non-Fiction

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All About Eve, Amanda Konkle, Audrey Hepburn, Billy Wilder, Breakfast at Tiffany's, Bus Stop, Clash By Night, Don't Bother To Knock, Gentlemen Prefer Blondes, George Axelrod, How to Marry a Millionaire, Jack Cole, Jayne Mansfield, Kim Stanley, Let's Make Love, Love Happy, Lucille Ball, Marilyn Monroe, Method Acting, Monkey Business, Niagara, O. Henry's Full House, Some Kind of Mirror: Creating Marilyn Monroe, Some Like It Hot, The Asphalt Jungle, The Misfits, The Prince And The Showgirl, The Seven Year Itch, We're Not Married

In 1954, Marilyn Monroe was rehearsing ‘Do It Again’ as part of her show for U.S. troops in Korea, when the officer in charge of her tour deemed the Gershwin standard “too suggestive,” and insisted she change the title to ‘Kiss Me Again.’ “People had a habit of looking at me as if I were some kind of mirror instead of as a person,” she remarked in her memoir, My Story. “They didn’t see me, they saw their own lewd thoughts.” Her comment inspired the title (and epigraph) for a new book, Some Kind of Mirror: Creating Marilyn Monroe by Amanda Konkle, assistant professor of literature and film studies at Georgia Southern University. Continue reading →

Love Goddesses: Rita Hayworth and Marilyn

15 Sunday Mar 2015

Posted by marina72 in Art and Photography, Film, Marilyn Monroe

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Adele Jergens, All About Eve, Ava Gardner, Barbara Leaming, Betrayed by Rita Hayworth, Born Yesterday, Cary Grant, Charles Feldman, Charles Laughton, Clay Campbell, Clifford Odets, Confidential, Diamonds Are a Girl’s Best Friend, Film Noir, Frank Sinatra, Fred Karger, George Cukor, Gilda, Harry Cohn, Helen Hunt, Howard Hawks, Jack Cole, Jack Lemmon, Jerry Wald, John Kobal, Johnny Hyde, Joseph Cotten, Judy Holliday, Lauren Bacall, Louella Parsons, Madonna, Manuel Puig, Marilyn Monroe, Miss Sadie Thompson, Only Angels Have Wings, Orson Welles, Put the Blame on Mame, Rain, Rita Hayworth, Something's Got To Give, Tales That Witness Madness, Terence Rattigan, The Asphalt Jungle, The Barefoot Contessa, The Shawshank Redemption, The Story on Page One, Vogue, Winfield Sheehan, Yves Montand

Rita Hayworth, photographed by Bob Landry (1941)

Rita Hayworth, photographed by Bob Landry (1941)

In August 1941 – less than four months before the bombing of Pearl Harbour plunged America into World War II – Rita Hayworth graced the cover of Life magazine. She was pictured in a white bikini, grinning as photographer Bob Landry caught her eating lunch on a Los Angeles beach.  But this delightfully natural image made less impact than another picture inside the magazine.

Here, Landry depicted a far more seductive Rita, either relaxing in her own bedroom as the caption claimed, or on a studio prop bed. And the white silk negligee that she wore may have been borrowed from Columbia’s wardrobe department. Gazing boldly at the camera, Hayworth seemed to promise more than the artful illusion of glamour. Continue reading →

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