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Tara Hanks

~ Author of 'The Mmm Girl' and 'Wicked Baby'

Tara Hanks

Tag Archives: Graphic Novel

Sixty Years Later: Scandal ’63 Revisited

13 Monday Nov 2023

Posted by marina72 in Anniversaries, Art and Photography, Books, Fashion and Beauty, Film, History, Music, Periodicals, Poetry, Politics, Profumo Affair

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A Kind of Loving, Amanda Coe, Barry Fantoni, Calder Waldon, Caroline Coon, Catherine Edmunds, Cathy Lomax, Christine Keeler, Christine Noonan, Dameon Priestly, David Kynaston, De Montfort University, Divergência Socialista, Eugene Ivanov, Fanny Hill, Fionn Wilson, Geoffrey Robertson, Gerald Scarfe, Graphic Novel, Harold Macmillan, If ...., Introducing Mandy, John Profumo, Keeler, Leicester, Leicester Gallery, Lewis Morley, Libby Crowley, Mandy Rice-Davies, Marguerite Horner, Mariella Novotny, Melanie Williams, Michael Bronze, Murray's Cabaret Club, Natalie d'Arbeloff, Peggy Davies Ceramics, Private Eye, Profumo Affair, Richard Farmer, Sadie Hennessy, Sadie Lee, Sal Jones, Scandal, Scandal '63 Revisited, Senseless Things, Seymour Platt, Stella Vine, Stephen Ward, Stephen Ward: The Musical, Steve Chibnall, Sue Lloyd, Terence Donovan, That Affair, That Was the Week That Was, The Christine Keeler Colouring Book, The Keeler Affair, The Mandy Report, The Trial Of Christine Keeler, Timothy Birdsall, Town Magazine, Tuli Kupferberg, Une Romance Anglaise, Vanessa Holburn, Vice Girls Ltd., Wendy Nelson, Wes Streeting, Yours Retro

“In Britain at the start of the 1960s, Victorian values are still mainstream. There is a rich ruling class who are better than everybody else, women are mostly thought of as the property of the men around them and if you are Black, discrimination, IS the culture. I believe the Profumo scandal shone a light on all of that poison and was another step on the road that we are still very much on, to a more equal society. So, I think in some ways the Profumo scandal was a good thing. But for my mother, I am sure she would say, ‘What a price I had to pay!’”– Seymour Platt, ‘My Mother, Christine Keeler’ Continue reading →

2020: A Year In Books

22 Tuesday Dec 2020

Posted by marina72 in Art and Photography, Books, Fiction, Non-Fiction

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A Thousand Moons, A Year in Books, Adiana Shibli, Ana Maria Matute, Arthur Morrison, Celia Stahr, Daddy, Death In Her Hands, Eimear McBride, Elena Ferrante, Emma Cline, Emma Donoghue, Erika Lee Sears, Ethel Carnie Holdsworth, Fernanda Melchor, Frida in America, Frida Kahlo, Frida Kahlo and San Francisco, Graphic Novel, Hettie Judah, Hitting a Straight Lick With a Crooked Stick, Hurricane Season, Irish Literature, Jack, Louise Erdrich, Marilynne Robinson, Mexico, Minor Detail, Native American Literature, Ottessa Moshfegh, Palestine, Rickard Sisters, Robert Tressell, Sam Selvon, Sebastian Barry, Short Stories, Socialism, Spain, Strange Hotel, The Housing Lark, The Island, The Last Interview, The Lying Life of Adults, The Night Watchman, The Pull of the Stars, The Ragged Trousered Philanthropists, Windrush, Working Class Writers, Zora Neale Hurston

Art by Erika Lee Sears

The turmoil of 2020 hasn’t affected my reading much, although I miss going to the library and have turned instead to Kindle. Among the 100+ books I’ve read this year, I’ve enjoyed discoveries old and new, plus the latest output from my favourite contemporary authors. However, some of my greatest pleasures lay in neglected midcentury classics which finally got their due. Continue reading →

Marilyn’s Monsters

30 Tuesday Apr 2019

Posted by marina72 in Art and Photography, Books, Fiction, Film, Marilyn Monroe

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Betty Boop, Bus Stop, Comic Book, Fairy Tale, Fantasy, Gothic Horror, Graphic Novel, Humanoids, Life Drawn, Love Happy, Marilyn Monroe, Marilyn's Monsters, Sugar Kane, The Seven Year Itch, Tommy Redolfi

Marilyn Monroe has long been an inspiration to artists and writers. Among the many books devoted to her life and image are a number of comics and graphic novels. Kathryn Hyatt’s Marilyn: The Story of a Woman (1996) and Dana Gachman’s recent contribution to the Tribute series both opt for fairly conventional, if sympathetic narratives. It is from outside the USA that more imaginative retellings have emerged, such as Sergio Toppi’s 16-page comic, plus two full-length books: Jean-Francois Charles’ Shooting Star (2006) and Jose Correa’s Dreams of a Butterfly (2012.)

Tommy Redolfi’s Holy Wood was first published in France in 2016, and is now available in English as Marilyn’s Monsters, published by Life Drawn, a literary imprint from comic book publisher Humanoids. The French-born Redolfi now lives in Los Angeles, and has made several films as well as other graphic novels, including a 2007 tome about one of Marilyn’s idols, Mae West. Marilyn’s Monsters comes with an endorsement from cult filmmaker David Cronenberg: “A brilliant, hallucinatory meditation on the phenomenon of Marilyn Monroe. It will alter your understanding of both Hollywood and Marilyn.” Continue reading →

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