• About Tara Hanks
  • Jeanne Eagels: A Life Revealed
    • Reviews
    • Synopsis
    • Updates
    • Where to Buy
  • The Mmm Girl
    • The Mmm Girl – Extract
    • The Mmm Girl – Reviews
  • Wicked Baby
    • Wicked Baby – Reviews
  • Media

Tara Hanks

~ Author of 'The Mmm Girl' and 'Wicked Baby'

Tara Hanks

Tag Archives: Film Noir

Atomic Blondes: Marilyn and Kathleen Hughes

21 Sunday Sep 2025

Posted by marina72 in Film, Marilyn Monroe

≈ Comments Off on Atomic Blondes: Marilyn and Kathleen Hughes

Tags

3D, A Ticket to Tomahawk, Barbara Rush, Censorship, Cinemascope, Cleo Moore, Diana Herbert, F. Hugh Herbert, Film Noir, Hollywood Museum, Howard Hughes, It Came From Outer Space, Jane Russell, Kathleen Hughes, Marilyn Monroe, Marilyn Remembered, River of No Return, Rock Hudson, Rory Calhoun, Science Fiction, Stanley Rubin, Stars and Stripes, Strictly for Kicks, The Glass Web, The Seven Year Itch, Twentieth Century Fox

Kathleen Hughes, star of It Came From Outer Space, has died aged 96. As well as playing the ‘bad girl’ in cult movies and appearing on numerous TV shows, she was married to River of No Return producer Stanley Rubin for sixty years, and befriended many stars from Hollywood’s golden age, including Marilyn Monroe. Continue reading →

2020: A Year in Film

30 Wednesday Dec 2020

Posted by marina72 in Books, Brighton, Film, Marilyn Monroe, Non-Fiction, Television

≈ Comments Off on 2020: A Year in Film

Tags

A Year in Films and TV, Andrew Patterson, August Wilson, Beanpole, Billie, Billie Holiday, Brighton, Calm With Horses, Carole Lombard, Chadwick Boseman, David Lynch, Day By Day With Marilyn, Diana Rigg, Duke of York's Brighton, Edward Norton, Eliza Hittman, Eva Riley, Film Noir, George C. Wolfe, Hollywood's Hard-Luck Dames, James Erskine, Kantemir Balagov, Laura Wagner, Linda Manz, Lucky Grandma, Ma Rainey's Black Bottom, Marilyn Monroe, Michelle Morgan, Motherless Brooklyn, Neo-Noir, Never Rarely Sometimes Always, Nick Rowland, Perfect 10, Russia, Sasie Sealy, The Last Interview, The Vast of Night, Tsai Chin, Veronica Lake, Viola Davis

Photo by Curtis Tappenden

This photo was taken in Brighton just two winters ago, but it already feels like a distant memory. Founded in 1910, the Duke of York’s is the oldest operating cinema in Britain, and I’ve been a customer, on and off, for the last quarter-century. The last film I saw there, back in February, was (ironically) Parasite. After four months in lockdown the Duke’s reopened in July, but by October its parent company Cineworld had announced that all theatres would close indefinitely. Now this grand old building is boarded up, a sorry sight – and it’s just one of many venues facing an uncertain future. I’ve really missed the cinema, though streaming has offered an alternative of sorts. As an old friend told me recently, we all need a little glamour in our lives – and so I hope 2021 is kinder to the arts than this year has been. Continue reading →

Agency and Imagination in the Films of David Lynch

07 Monday Dec 2020

Posted by marina72 in Books, Film, Non-Fiction

≈ Comments Off on Agency and Imagination in the Films of David Lynch

Tags

Agency and Imagination in the Films of David Lynch, Blue Velvet, Candace R. Craig, David Lynch, Eraserhead, Film Noir, Inland Empire, James D. Reid, Lost Highway, Mulholland Drive, Neo-Noir, Philosophy, The Straight Story, Twin Peaks, Wild at Heart

A beautiful, dark-haired woman flees from a car wreck and wakes up in a stranger’s apartment, suffering from amnesia. When asked her name, she looks at an old movie poster on the wall, and focuses on its star: “Rita.” This pivotal moment from Mulholland Dr. (2001) adorns the cover of a new book about director David Lynch, as it was that film which sparked the interest of its two authors. Continue reading →

‘Noir-ish’ Jeanne in ‘The Letter’

18 Saturday Jul 2015

Posted by marina72 in Film, Jeanne Eagels

≈ Comments Off on ‘Noir-ish’ Jeanne in ‘The Letter’

Tags

Film Noir, Jeanne Eagels, Jeanne Eagels: A Life Revealed, The Letter

The Letter 01 - Jeanne Eagels Herbert Marshall

Jeanne Eagels confronts her lover, played by Herbert Marshall, in ‘The Letter’ (1929)

A viewing of Bette Davis’ The Letter remake led one blogger back to Jeanne Eagels’ original performance as the murderess Leslie Crosbie, over at Classic Hollywood:

I re-watched it to see if there was anything noirish about it and wasn’t disappointed. Jeanne’s performance is powerful, the French director Jean De Limur also had scenes that wouldn’t disappoint noir fans. Jeanne Eagels descending the stairs to meet with her murdered lover’s Chinese mistress is pure noir cinematography. I must say this version is my favorite version of W. Somerset Maugham’s The Letter.

Although a work-print has been available for some time, a fully restored version of The Letter (1929) was released on DVD in 2011.

Love Goddesses: Rita Hayworth and Marilyn

15 Sunday Mar 2015

Posted by marina72 in Art and Photography, Film, Marilyn Monroe

≈ 7 Comments

Tags

Adele Jergens, All About Eve, Ava Gardner, Barbara Leaming, Betrayed by Rita Hayworth, Born Yesterday, Cary Grant, Charles Feldman, Charles Laughton, Clay Campbell, Clifford Odets, Confidential, Diamonds Are a Girl’s Best Friend, Film Noir, Frank Sinatra, Fred Karger, George Cukor, Gilda, Harry Cohn, Helen Hunt, Howard Hawks, Jack Cole, Jack Lemmon, Jerry Wald, John Kobal, Johnny Hyde, Joseph Cotten, Judy Holliday, Lauren Bacall, Louella Parsons, Madonna, Manuel Puig, Marilyn Monroe, Miss Sadie Thompson, Only Angels Have Wings, Orson Welles, Put the Blame on Mame, Rain, Rita Hayworth, Something's Got To Give, Tales That Witness Madness, Terence Rattigan, The Asphalt Jungle, The Barefoot Contessa, The Shawshank Redemption, The Story on Page One, Vogue, Winfield Sheehan, Yves Montand

Rita Hayworth, photographed by Bob Landry (1941)

Rita Hayworth, photographed by Bob Landry (1941)

In August 1941 – less than four months before the bombing of Pearl Harbour plunged America into World War II – Rita Hayworth graced the cover of Life magazine. She was pictured in a white bikini, grinning as photographer Bob Landry caught her eating lunch on a Los Angeles beach.  But this delightfully natural image made less impact than another picture inside the magazine.

Here, Landry depicted a far more seductive Rita, either relaxing in her own bedroom as the caption claimed, or on a studio prop bed. And the white silk negligee that she wore may have been borrowed from Columbia’s wardrobe department. Gazing boldly at the camera, Hayworth seemed to promise more than the artful illusion of glamour. Continue reading →

← Older posts

Pages

  • About Tara Hanks
  • Jeanne Eagels: A Life Revealed
  • Media
  • The Mmm Girl
  • Wicked Baby

Creative Commons License
http://tarahanks.com by Tara Hanks/marina72 is licensed under a Creative Commons Attribution-Non-Commercial-No Derivative Works 2.0 UK: England & Wales License

Categories

Archives

Pages

  • About Tara Hanks
  • Jeanne Eagels: A Life Revealed
  • Media
  • The Mmm Girl
  • Wicked Baby

Creative Commons License
http://tarahanks.com by Tara Hanks/marina72 is licensed under a Creative Commons Attribution-Non-Commercial-No Derivative Works 2.0 UK: England & Wales License

Archives

Create a website or blog at WordPress.com

  • Subscribe Subscribed
    • Tara Hanks
    • Join 337 other subscribers
    • Already have a WordPress.com account? Log in now.
    • Tara Hanks
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...
 

You must be logged in to post a comment.