
Jeanne Eagels confronts her lover, played by Herbert Marshall, in ‘The Letter’ (1929)
A viewing of Bette Davis’ The Letter remake led one blogger back to Jeanne Eagels’ original performance as the murderess Leslie Crosbie, over at Classic Hollywood:
I re-watched it to see if there was anything noirish about it and wasn’t disappointed. Jeanne’s performance is powerful, the French director Jean De Limur also had scenes that wouldn’t disappoint noir fans. Jeanne Eagels descending the stairs to meet with her murdered lover’s Chinese mistress is pure noir cinematography. I must say this version is my favorite version of W. Somerset Maugham’s The Letter.
Although a work-print has been available for some time, a fully restored version of The Letter (1929) was released on DVD in 2011.
The weeks following publication are an anxious time for any author, as we nervously, and somewhat impatiently await feedback from our readers. Now, Jeanne Eagels: A Life Revealed has its first customer review on 
The Misfits (1961) was reissued in the UK and Ireland in June, and also headlined a major retrospective, ‘Marilyn’, at the British Film Institute on London’s Southbank. The month-long season featured all but one of the sixteen films Marilyn Monroe made from 1952-62, of which The Misfits would be her last.
Why did Jeanne Eagels – the original Sadie Thompson, and a Broadway legend – never bring Rain to the big screen? Author Laini Giles considers this lost opportunity, in a Classic Movie Blogathon post for
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