In 1954, Marilyn Monroe was rehearsing ‘Do It Again’ as part of her show for U.S. troops in Korea, when the officer in charge of her tour deemed the Gershwin standard “too suggestive,” and insisted she change the title to ‘Kiss Me Again.’ “People had a habit of looking at me as if I were some kind of mirror instead of as a person,” she remarked in her memoir, My Story. “They didn’t see me, they saw their own lewd thoughts.” Her comment inspired the title (and epigraph) for a new book, Some Kind of Mirror: Creating Marilyn Monroe by Amanda Konkle, assistant professor of literature and film studies at Georgia Southern University. Continue reading →