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Tara Hanks

~ Author of 'The Mmm Girl' and 'Wicked Baby'

Tara Hanks

Tag Archives: Caroline Coon

Sixty Years Later: Scandal ’63 Revisited

13 Monday Nov 2023

Posted by marina72 in Anniversaries, Art and Photography, Books, Fashion and Beauty, Film, History, Music, Periodicals, Poetry, Politics, Profumo Affair

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A Kind of Loving, Amanda Coe, Barry Fantoni, Calder Waldon, Caroline Coon, Catherine Edmunds, Cathy Lomax, Christine Keeler, Christine Noonan, Dameon Priestly, David Kynaston, De Montfort University, Divergência Socialista, Eugene Ivanov, Fanny Hill, Fionn Wilson, Geoffrey Robertson, Gerald Scarfe, Graphic Novel, Harold Macmillan, If ...., Introducing Mandy, John Profumo, Keeler, Leicester, Leicester Gallery, Lewis Morley, Libby Crowley, Mandy Rice-Davies, Marguerite Horner, Mariella Novotny, Melanie Williams, Michael Bronze, Murray's Cabaret Club, Natalie d'Arbeloff, Peggy Davies Ceramics, Private Eye, Profumo Affair, Richard Farmer, Sadie Hennessy, Sadie Lee, Sal Jones, Scandal, Scandal '63 Revisited, Senseless Things, Seymour Platt, Stella Vine, Stephen Ward, Stephen Ward: The Musical, Steve Chibnall, Sue Lloyd, Terence Donovan, That Affair, That Was the Week That Was, The Christine Keeler Colouring Book, The Keeler Affair, The Mandy Report, The Trial Of Christine Keeler, Timothy Birdsall, Town Magazine, Tuli Kupferberg, Une Romance Anglaise, Vanessa Holburn, Vice Girls Ltd., Wendy Nelson, Wes Streeting, Yours Retro

“In Britain at the start of the 1960s, Victorian values are still mainstream. There is a rich ruling class who are better than everybody else, women are mostly thought of as the property of the men around them and if you are Black, discrimination, IS the culture. I believe the Profumo scandal shone a light on all of that poison and was another step on the road that we are still very much on, to a more equal society. So, I think in some ways the Profumo scandal was a good thing. But for my mother, I am sure she would say, ‘What a price I had to pay!’”– Seymour Platt, ‘My Mother, Christine Keeler’ Continue reading →

Scandal ’63 Revisited: Symposium in Leicester

21 Tuesday Mar 2023

Posted by marina72 in Art and Photography, Film, History, Poetry, Politics, Profumo Affair

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Carol Dyhouse, Caroline Collett, Caroline Coon, Cathy Lomax, Christine Keeler, Dameon Priestly, De Montfort University, Fionn Wilson, Gemma June Howell, Guinevere Clark, Leicester, Leicester Gallery, Marguerite Horner, Mari Ellis Dunning, Melanie Williams, Pauline Boty, Profumo Affair, Richard Farmer, Sarah Caulfield, Scandal '63 Revisited, Seymour Platt, Stephen Ward, Steve Chibnall, Sue Tate

A symposium for Scandal ’63 Revisited will be held at Leicester Gallery on Friday, April 14th, ahead of the exhibition’s last day on Saturday. Tickets are free but must be reserved in advance here. (The flyer image seen above shows an outtake from Christine Keeler’s iconic photo shoot with Lewis Morley, who later recreated her most famous pose with the Leicester-born playwright and provocateur, Joe Orton.)

Continue reading →

Dear Christine: A Tribute in Art, Poetry and Prose

13 Wednesday May 2020

Posted by marina72 in Art and Photography, Profumo Affair

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Alan Olley, Amanda Coe, Arthouse1, Barbara Howey, Bo Gorzelak Pedersen, Caroline Coon, Catherine Edmunds, Cathy Lomax, Charlotte Innes, Charlotte Metcalf, Christine Keeler, Claudia Clare, David Astbury, Dear Christine, Elysium Gallery, Fine Cell Work, Fionn Wilson, Guinevere Clark, Helen Billinghurst, J.V. Martin, James Birch, Jeni Williams, Jo Mazelis, JoWonder, Julia Maddison, Julie Burchill, Kalliopi Minioudaki, Kathryn Gray, Lewis Morley, London, Lucy Cox, Mandy Rice-Davies, Marguerite Horner, Mari Ellis Dunning, Murray's Cabaret Club, Natalie d'Arbeloff, Newcastle, Pal Hansen, Patrick Jones, Pauline Boty, Poetry, Profumo Affair, Rebecca Fairman, Roxana Halls, Sadie Hennessy, Sadie Lee, Sal Jones, Sarah Caulfield, Sarah Shaw, Seymour Platt, Shani Rhys James, Soho, Sonja Benskin Mesher, Stella Vine, Swansea, Tanya Gold, The Keeler Affair, Vane Gallery, Wales, Wendy Nelson

Dear Christine: A Tribute to Christine Keeler first took root in 2014, when Fionn Wilson painted a set of four portraits in black and white, based on 1960s photographs by Lewis Morley and others. Like myself, Fionn first discovered Keeler in retrospect. She asked other women artists, some of whom had lived through the Profumo Affair to contribute works about Christine. For many of us, her story represents a rite of passage. As Fionn notes in her foreword to the exhibition catalogue, the scandal “let the genie of sex out of the bottle” and “dealt a death blow” to class deference. At the same time, it unleashed a brave new world of tabloid exposure. “Never had the press been so bold and it has never looked back.” Continue reading →

‘Dear Christine’ Symposium in London

11 Tuesday Feb 2020

Posted by marina72 in Art and Photography, Profumo Affair

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Amanda Coe, Arthouse1, Carol Dyhouse, Caroline Coon, Cathy Lomax, Christine Keeler, Dear Christine, Profumo Affair

Dear Christine: A Tribute to Christine Keeler, on display until February 29 at London’s ARTHOUSE1 (open from 3-7 pm on Thursdays to Sundays) is accompanied by a symposium featuring artists and commentators including historian Carol Dyhouse and Amanda Coe, writer/producer of The Trial of Christine Keeler, on Saturday, February 22. Admission is free but reserved to 40 places so book now via Eventbrite. (The painting shown above is ‘God Save Christine’ by Sal Jones.)

UPDATE: Due to unforeseen circumstances, this event has now been cancelled – more info here.

Continue reading →

Swansea Celebrates ‘Dear Christine’ in Art and Poetry

15 Tuesday Oct 2019

Posted by marina72 in Art and Photography, Poetry, Profumo Affair

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Caroline Coon, Christine Keeler, Dear Christine, Elysium Gallery, Pauline Boty, Poetry, Profumo Affair, Swansea, Wales

Dear Christine: A Tribute to Christine Keeler continues its run at the Elysium Gallery in Swansea with an evening of poetry this Saturday, as curator Fionn Wilson told Wales Art Review recently. An artist panel discussion will follow on October 26, and the exhibition will be on show until November 9. (If you can’t make it, Dear Christine will move to London next February.) Continue reading →

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