Blondie, Carol Lynley, David Lynch, Debbie Harry, Robert Forster, Soledad, Tara Hanks, Twin Peaks
The third issue of SOLEDAD Arts Journal is now available to order via Amazon, for £5.18 in the UK or a devilish $6.66 Stateside. The cover photo shows Carol Lynley, who sadly passed away recently, with Gig Young in The Shuttered Room (1967), to which editor Jeremy Richey pays tribute inside. This issue’s muse is Debbie Harry, with Blondie lyrics peppered throughout, and a profile by superfan Dave Stewart (no, not that one.) Debbie was my first pop idol, and her recent memoir, Face It, has brought me back into the fold.
Still on the music front, Jeremy has also interviewed Texan duo Teenage Cavegirl, and Steven Darrow from Sonic Medusa and Sister Midnight. There are short stories by Les Bohem and Robert Monell, poems by Emily Clare Bryant, and photography by Amy Pangburn. John Greco talks about his Noir fiction, and Marcelline Block writes about reading in the digital age. As always, the film world is well-represented, with a review of a new Scorpio Films anthology – including Obsessions (Hole in the Wall), co-scripted by a young Martin Scorsese – and an insightful essay by Laura Kupp Beerman, ‘Seen/Unseen: Halloween, Peeping Tom and Empire of Signs.’
And finally, the concluding part of my Twin Peaks trilogy is also published in this issue, which I’ll dedicate to Robert Forster, who played Sheriff Frank Truman in the revival. He had a long and varied career, from his debut in Reflections in a Golden Eye (1967), through to his comeback in Jackie Brown (1999) and Mulholland Drive (2001.) His surprise appearance in El Camino, the Breaking Bad sequel which aired last month, will now be remembered as his swansong.
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