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Tara Hanks

~ Author of 'The Mmm Girl' and 'Wicked Baby'

Tara Hanks

Tag Archives: Billie Holiday

2017: A Year In Film and Music

22 Friday Dec 2017

Posted by marina72 in Film, Lana Del Rey, Music, Television

≈ Comments Off on 2017: A Year In Film and Music

Tags

A Year in Films and TV, A Year in Music, Anne Bancroft, Ava Gardner, Billie Holiday, Chuck Berry, David Lynch, Fats Domino, Fences, From the Land of the Moon, Harry Dean Stanton, Hurray for the Riff Raff, Jackie, Jeanne Moreau, Julie London, L.A. Witch, Lana Del Rey, Louise Brooks, Loving, Lust for Life, Mudbound, Pandora's Box, Star Wars, The Last Jedi, The Navigator, Twin Peaks

For me, this year was dominated by the return of Twin Peaks, reaffirming David Lynch’s status as the most daring filmmaker of our time. Dark, playful and thrilling, it once again pushed the outer limits of television.  Continue reading →

2015: A Year in Music

15 Tuesday Dec 2015

Posted by marina72 in Lana Del Rey, Madonna, Music

≈ Comments Off on 2015: A Year in Music

Tags

#billieat100, A Year in Music, Billie Holiday, Fantastic Voyage, Honeymoon, I'm a Ruin, Jamaica, Lana Del Rey, Madonna, Marina and the Diamonds, Natasha Khan, Rebel Heart, SEXWITCH

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Madonna’s Rebel Heart arrived in March, though it leaked months before. Her 13th studio album is a hot mess, with some twenty-five tracks in all: some brilliant, others bizarre, but always fascinating. Continue reading →

Lady Day at 100

07 Tuesday Apr 2015

Posted by marina72 in Music

≈ 2 Comments

Tags

#billieat100, #ladyday, Billie Holiday, Jazz, Lady in Satin, Lady Sings the Blues, Lester Young

billie-holiday-january-1941-prob-at-kellys-stable-1

I bought my first Billie Holiday record at sixteen. I must have read about her somewhere, because I’d never heard her sing. But it was love at first listen, and I quickly found another compilation. Neither was considered her best work, but I didn’t care.

Her music stayed with me during a hard time when my family lost our home. Every night that summer, I’d switch off the lights, open the windows and just play her songs.

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Later on I heard Lady in Satin, which became my favourite album (next to Marvin Gaye’s What’s Goin’ On.) Her voice was broken but she still had soul. I also became interested in musician Lester Young, or ‘Prez’, who gave her the name ‘Lady Day’. As a student, I bought a double album of their work together.

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I found a second-hand copy of her memoir, Lady Sings the Blues, when I first moved to Brighton. Although not wholly accurate, I still hold it dear. She survived the worst of childhoods, and amid the shadows of racism and addiction, her courage – and wit – never left her.

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During my twenties I moved around so much that I wasn’t able to keep my record collection. In any case, Billie’s albums were the most scratched. When I married and had children, I replaced my collection with CDs.

Among the best are Lady Day – the Best of Billie Holiday, covering her early career; In a Soulful Mood; Billie Holiday – The Ultimate Collection, including eight of her later albums; and Gee Baby, Ain’t I Good to You – Live Radio, TV and Film Recordings.

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She has her imitators, but no other singer comes close. For some, she is a tragic figure – but while she may have helped me through some bad times, I don’t see her that way. She was tough, funny and smart, and her music is a celebration of life.

As Paolo Hewitt once wrote, she was ‘lively and joyful, an optimistic woman, in love with love, in love with life, a singer whose innocence and beauty one immediately warms to.’

Billie at 100

LadyDay.net

Spotify

The Black Garbo: Nina Mae McKinney

31 Saturday Mar 2012

Posted by marina72 in Books, Film, Non-Fiction

≈ 1 Comment

Tags

BearManor Media, Billie Holiday, Dark Waters, Elia Kazan, Gang Smashers, Irving Thalberg, Jimmy Monroe, King Vidor, Nina Mae McKinney, Paul Robeson, Pinky, Race Movies, Safe in Hell, Sanders of the River, Stephen Bourne, The Black Garbo, William Wellman

Nina Mae McKinney, who made her screen début in King Vidor’s Hallelujah! (1929) – one of the first Hollywood films to feature an all-black cast – was hailed by MGM’s Irving Thalberg as ‘the greatest acting discovery of the age’. A vivacious beauty, Nina Mae had more in common with ‘It Girl’ Clara Bow or glamorous comedienne Carole Lombard than with the enigmatic Greta Garbo, to whom she was compared.

But like many other black actresses of her generation, McKinney was reduced to playing bit parts and never fulfilled her initial promise. Her subsequent career included roles in ‘race movies’ (films made outside Hollywood, for black audiences) and cabaret success in Europe. The British film historian, Stephen Bourne, who has previously written about other black female stars of the early twentieth century – including Ethel Waters and Butterfly McQueen – has now investigated the life and work of Nina Mae McKinney in his latest book, The Black Garbo. Continue reading →

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