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Tara Hanks

~ Author of 'The Mmm Girl' and 'Wicked Baby'

Tara Hanks

Tag Archives: Fionn Wilson

Sixty Years Later: Scandal ’63 Revisited

13 Monday Nov 2023

Posted by marina72 in Anniversaries, Art and Photography, Books, Fashion and Beauty, Film, History, Music, Periodicals, Poetry, Politics, Profumo Affair

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A Kind of Loving, Amanda Coe, Barry Fantoni, Calder Waldon, Caroline Coon, Catherine Edmunds, Cathy Lomax, Christine Keeler, Christine Noonan, Dameon Priestly, David Kynaston, De Montfort University, Divergência Socialista, Eugene Ivanov, Fanny Hill, Fionn Wilson, Geoffrey Robertson, Gerald Scarfe, Graphic Novel, Harold Macmillan, If ...., Introducing Mandy, John Profumo, Keeler, Leicester, Leicester Gallery, Lewis Morley, Libby Crowley, Mandy Rice-Davies, Marguerite Horner, Mariella Novotny, Melanie Williams, Michael Bronze, Murray's Cabaret Club, Natalie d'Arbeloff, Peggy Davies Ceramics, Private Eye, Profumo Affair, Richard Farmer, Sadie Hennessy, Sadie Lee, Sal Jones, Scandal, Scandal '63 Revisited, Senseless Things, Seymour Platt, Stella Vine, Stephen Ward, Stephen Ward: The Musical, Steve Chibnall, Sue Lloyd, Terence Donovan, That Affair, That Was the Week That Was, The Christine Keeler Colouring Book, The Keeler Affair, The Mandy Report, The Trial Of Christine Keeler, Timothy Birdsall, Town Magazine, Tuli Kupferberg, Une Romance Anglaise, Vanessa Holburn, Vice Girls Ltd., Wendy Nelson, Wes Streeting, Yours Retro

“In Britain at the start of the 1960s, Victorian values are still mainstream. There is a rich ruling class who are better than everybody else, women are mostly thought of as the property of the men around them and if you are Black, discrimination, IS the culture. I believe the Profumo scandal shone a light on all of that poison and was another step on the road that we are still very much on, to a more equal society. So, I think in some ways the Profumo scandal was a good thing. But for my mother, I am sure she would say, ‘What a price I had to pay!’”– Seymour Platt, ‘My Mother, Christine Keeler’ Continue reading →

Scandal ’63 Revisited: Symposium in Leicester

21 Tuesday Mar 2023

Posted by marina72 in Art and Photography, Film, History, Poetry, Politics, Profumo Affair

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Carol Dyhouse, Caroline Collett, Caroline Coon, Cathy Lomax, Christine Keeler, Dameon Priestly, De Montfort University, Fionn Wilson, Gemma June Howell, Guinevere Clark, Leicester, Leicester Gallery, Marguerite Horner, Mari Ellis Dunning, Melanie Williams, Pauline Boty, Profumo Affair, Richard Farmer, Sarah Caulfield, Scandal '63 Revisited, Seymour Platt, Stephen Ward, Steve Chibnall, Sue Tate

A symposium for Scandal ’63 Revisited will be held at Leicester Gallery on Friday, April 14th, ahead of the exhibition’s last day on Saturday. Tickets are free but must be reserved in advance here. (The flyer image seen above shows an outtake from Christine Keeler’s iconic photo shoot with Lewis Morley, who later recreated her most famous pose with the Leicester-born playwright and provocateur, Joe Orton.)

Continue reading →

‘Scandal’ Revisited as New Exhibition Opens in Leicester

01 Wednesday Mar 2023

Posted by marina72 in Art and Photography, Film, History, Politics, Profumo Affair

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Cathy Lomax, Christine Keeler, Dameon Priestly, De Montfort University, Fionn Wilson, Leicester, Leicester Gallery, Phoenix Leicester, Profumo Affair, Sal Jones, Scandal, Scandal '63 Revisited, Stephen Woolley, Steve Chibnall

Scandal, the 1989 movie dramatising the Profumo Affair, is showing at the Phoenix Leicester at 7:30 pm this Friday, March 3rd, introduced by producer Stephen Woolley with an onstage Q&A. Whatever you may think of the narrative, Scandal boasts terrific performances by John Hurt as Stephen Ward and Joanne Whalley as Christine Keeler (seen above with Bridget Fonda); surprising cameo turns (Leslie Phillips as Lord Astor!); and a fabulous retro soundtrack topped by Dusty Springfield’s comeback hit, ‘Nothing Has Been Proved.’

The screening is in partnership with Leicester Gallery on the De Montfort University campus, where a new exhibition, Scandal ‘63 Revisited: Reframing the Profumo Affair via Art and Artefact, opens on Friday, following a private view from 6 pm – 8 pm on Thursday with Christine Keeler’s son, Seymour Platt. (If you plan to attend the preview, please RSVP to leicestergallery@dmu.ac.uk.) Continue reading →

‘Fenella Fielding: Actress’ – A Tribute in Art

11 Sunday Dec 2022

Posted by marina72 in Art and Photography, Fashion and Beauty, Film, Theatre

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Andrew Logan, Carry On Screaming, Cathy Lomax, Cecil Beaton, Colette, Do You Mind If I Smoke?, Doctor in Clover, Federico Fellini, Fenella Fielding, Fenella Fielding: Actress, Fionn Wilson, Follow a Star, Gallery 286, Hedda Gabler, Helen of Troy, Jeanette Watkins, Martin Firrell, MetaFenella, Natalie Dowse, Norman Wisdom, Patrick Boyd, Sal Jones, Simon McKay, The Old Dark House, Vidal Sassoon

Fenella Fielding was eighty-three years old when, in 2011, she wandered into a pilates class and set down her mat a little too close to Simon McKay’s. He glared at her territorially and she stared back without hesitation. Eventually he smiled and they began to talk. After meeting a few more times, it dawned on him that she was that “gorgeous vamp” from Carry On Screaming. “Coffee became a regular thing and I quickly recognised the blindingly obvious: Fenella is an incredible raconteur,” Simon wrote. “I loved her stories and knew we had to do something with them.” Continue reading →

Dear Christine: A Tribute in Art, Poetry and Prose

13 Wednesday May 2020

Posted by marina72 in Art and Photography, Profumo Affair

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Alan Olley, Amanda Coe, Arthouse1, Barbara Howey, Bo Gorzelak Pedersen, Caroline Coon, Catherine Edmunds, Cathy Lomax, Charlotte Innes, Charlotte Metcalf, Christine Keeler, Claudia Clare, David Astbury, Dear Christine, Elysium Gallery, Fine Cell Work, Fionn Wilson, Guinevere Clark, Helen Billinghurst, J.V. Martin, James Birch, Jeni Williams, Jo Mazelis, JoWonder, Julia Maddison, Julie Burchill, Kalliopi Minioudaki, Kathryn Gray, Lewis Morley, London, Lucy Cox, Mandy Rice-Davies, Marguerite Horner, Mari Ellis Dunning, Murray's Cabaret Club, Natalie d'Arbeloff, Newcastle, Pal Hansen, Patrick Jones, Pauline Boty, Poetry, Profumo Affair, Rebecca Fairman, Roxana Halls, Sadie Hennessy, Sadie Lee, Sal Jones, Sarah Caulfield, Sarah Shaw, Seymour Platt, Shani Rhys James, Soho, Sonja Benskin Mesher, Stella Vine, Swansea, Tanya Gold, The Keeler Affair, Vane Gallery, Wales, Wendy Nelson

Dear Christine: A Tribute to Christine Keeler first took root in 2014, when Fionn Wilson painted a set of four portraits in black and white, based on 1960s photographs by Lewis Morley and others. Like myself, Fionn first discovered Keeler in retrospect. She asked other women artists, some of whom had lived through the Profumo Affair to contribute works about Christine. For many of us, her story represents a rite of passage. As Fionn notes in her foreword to the exhibition catalogue, the scandal “let the genie of sex out of the bottle” and “dealt a death blow” to class deference. At the same time, it unleashed a brave new world of tabloid exposure. “Never had the press been so bold and it has never looked back.” Continue reading →

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