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Tara Hanks

~ Author of 'The Mmm Girl' and 'Wicked Baby'

Tara Hanks

Tag Archives: Docudrama

Madonna and the Breakfast Club

20 Thursday Jan 2022

Posted by marina72 in Film, Madonna, Music

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A Certain Sacrifice, Christopher Flynn, Dan Gilroy, Docudrama, Documentaries, Ed Gilroy, Emmy, Freddy Castone, Gary Burke, Guy Guido, Jamie Auld, Lorelei Prince, Madonna, Madonna and the Breakfast Club, Martin Schreiber, Norris Burroughs, Peter Kentes, Stephen Bray, Stephen Lewicki, The Breakfast Club

“I have been a fan of Madonna from the first time I saw her perform at a small suburban night club called Images on Long Island back in 1983. She was something otherworldly to me … I was mesmerised by her beauty, her bravado and her unique street vibe.”

Talking to fellow Madonna devotee Matthew Rettenmund on his Boyculture blog, make-up artist turned indie filmmaker Guy Guido revealed the encounter behind his first short, Physical Attraction (2015.) Named after a track from her first album—as performed by tribute artist Lorelei Prince—this 19-minute piece stars Jake Robbins as Jared, whose growing obsession with Madonna leads him to drag long-suffering girlfriend Stacey (Raquel Castro) along to a New York nightspot where his idol is throwing an after-party during her Virgin Tour of 1985. Although he fails to make an impression on Madonna, Jared will have a life-changing encounter that evening. An affectionate homage to the teen films of the 1980s, awash in day-glo and pastels, Physical Attraction has a fairy-tale quality inspired by the magic of Madonna.

For his first feature-length movie, Emmy and the Breakfast Club—the erstwhile Emmy would later be renamed for brand recognition—Guido interviewed key players from Madonna’s early years, including her first band. Their memories are interspliced with reconstructed scenes from the same era, featuring a cast of new faces led by 20-year-old Jamie Auld. “He discovered me behind the counter at Doughnut Plant,” Jamie told Windy City Times. “I know it sounds phony, because Madonna apparently also worked at a doughnut shop when she first came to NYC, but it’s the truth. When Guy first noticed me and inquired if anyone had ever asked me if I looked like Madonna, I just laughed it off.”

“What struck me first was the structure of her face, the jawline, the profile, the cheekbones and especially her nose,” Guido explained. “She was busy working and looking down, but I remember thinking, ‘Please have blue eyes, please have blue eyes.’ Then she looked up, and—lo and behold—I knew I had found my girl.” Madonna’s rise to fame has previously been dramatized in a made-for-TV movie, Innocence Lost, not to mention countless documentaries, but these have mostly been sensationalised, and often misogynistic—resting on what Guido described to Digital Journal as the “misconception that Madonna was a talentless girl who used her sexuality to get herself a record deal.”

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2021: A Year in Film and TV

23 Thursday Dec 2021

Posted by marina72 in Books, Film, Marilyn Monroe, Non-Fiction

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A Year in Films and TV, Alexandre Rockwell, Barry Jenkins, Billie Holiday, Bloody Nose Empty Pockets, Chase Dillon, Chloe Zhao, Colson Whitehead, David Simon, Denmark, Diana Dors, Docudrama, HBO, I Never Cry, Jane Russell, Jeanette Nordahl, Joel Edgerton, John Garfield, Lana Rockwell, Marilyn Monroe, Melina León, Nella Larsen, Passing, Perry Mason, Peru, Piotr Domalewski, Rebecca Hall, Robert Machoian, Ross Brothers, Ruth Negga, Sandra Guldberg Kampp, Song Without A Name, Songs My Brothers Taught Me, Sweet Thing, The Killing of Two Lovers, The Plot Against America, The Roads Not Taken, The Underground Railroad, Thuso Mbedu, Wildland, Will Patton, Zoe Kazan, Zofia Stafiej

After Moonlight and If Beale Street Could Talk, Barry Jenkins triumphs again with his serial adaptation of Colson Whitehead’s historical fantasy, The Underground Railroad. As fugitive Cora, actress Thuso Mbedu is a guiding light, with able support from Joel Edgerton and Chase Dillon as her relentless pursuers. This small-screen masterwork is the cinematic event of the year. Continue reading →

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