‘Man, Woman and Sin’ at MoMA

06 Saturday Jan 2024

Posted by marina72 in Film, Jeanne Eagels

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Abe Lyman, Adele Astaire, Ben Model, David Stenn, George Eastman Museum, Jeanne Eagels, John Gilbert, Man Woman and Sin, MoMA, Monta Bell, New York, Silent Movies, To Save and Project

Jeanne Eagels with John Gilbert and Marc McDermott in Man, Woman and Sin

Jeanne Eagels’ last silent movie – and her only Hollywood shoot – Man, Woman and Sin (1927) is showing in a restored print as part of To Save and Project, the 20th annual film preservation festival at New York’s Museum of Modern Art (MoMA) next Saturday, January 13th, at 1:30 pm. Continue reading →

2023: A Year in Film

02 Tuesday Jan 2024

Posted by marina72 in Art and Photography, Documentaries, Film, Non-Fiction, Updates

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A Year in Films and TV, Aftersun, Aki Kaurismäki, Alcarràs, Babak Jalali, Broker, Buck and the Preacher, Carla Simón, Catalonia, Charlotte Wells, China, David Leland, Davy Chou, Elisa Jordan, Fallen Leaves, Finland, Fremont, Fyzal Boulifa, Gina Gammell, Hirokazu Koreeda, Humphrey Bogart, Iran, Jim Jarmusch, Killers of the Flower Moon, Korea, Lauren Bacall, Léonor Seraille, Li Ruijun, Marilyn Monroe, Martin Scorsese, Morocco, Mother and Son, Paul Sng, Return to Dust, Return to Seoul, Richard Barrios, Riley Keough, Shirley Anne Field, Sidney Poitier, Spain, The Damned Don't Cry, The Last Stage, The Old Oak, Tish Murtha, Wanda Jakubowska, War Pony, William J. Mann, Wish You Were Here

Adapted from David Grann’s history of the Osage murders, Killers of the Flower Moon was – for me at least – the cinematic event of 2023. With authoritative performances from Leonardo DiCaprio, Robert De Niro and a luminous Lily Gladstone, plus the painterly cinematography of Jack Fisk and a subtly insistent final score from the late Robbie Robertson, Killers channels the spirit of the first revisionist Westerns. While perhaps lacking the flash of this year’s Oscar rivals (Oppenheimer, Poor Things), this is a masterclass in neo-classical filmmaking from Martin Scorsese – and a tough-minded reckoning with America’s brutal origins. Continue reading →

Sixty Years Later: Scandal ’63 Revisited

13 Monday Nov 2023

Posted by marina72 in Anniversaries, Art and Photography, Books, Fashion and Beauty, Film, History, Music, Periodicals, Poetry, Politics, Profumo Affair

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A Kind of Loving, Amanda Coe, Barry Fantoni, Calder Waldon, Caroline Coon, Catherine Edmunds, Cathy Lomax, Christine Keeler, Christine Noonan, Dameon Priestly, David Kynaston, De Montfort University, Divergência Socialista, Eugene Ivanov, Fanny Hill, Fionn Wilson, Geoffrey Robertson, Gerald Scarfe, Graphic Novel, Harold Macmillan, If ...., Introducing Mandy, John Profumo, Keeler, Leicester, Leicester Gallery, Lewis Morley, Libby Crowley, Mandy Rice-Davies, Marguerite Horner, Mariella Novotny, Melanie Williams, Michael Bronze, Murray's Cabaret Club, Natalie d'Arbeloff, Peggy Davies Ceramics, Private Eye, Profumo Affair, Richard Farmer, Sadie Hennessy, Sadie Lee, Sal Jones, Scandal, Scandal '63 Revisited, Senseless Things, Seymour Platt, Stella Vine, Stephen Ward, Stephen Ward: The Musical, Steve Chibnall, Sue Lloyd, Terence Donovan, That Affair, That Was the Week That Was, The Christine Keeler Colouring Book, The Keeler Affair, The Mandy Report, The Trial Of Christine Keeler, Timothy Birdsall, Town Magazine, Tuli Kupferberg, Une Romance Anglaise, Vanessa Holburn, Vice Girls Ltd., Wendy Nelson, Wes Streeting, Yours Retro

“In Britain at the start of the 1960s, Victorian values are still mainstream. There is a rich ruling class who are better than everybody else, women are mostly thought of as the property of the men around them and if you are Black, discrimination, IS the culture. I believe the Profumo scandal shone a light on all of that poison and was another step on the road that we are still very much on, to a more equal society. So, I think in some ways the Profumo scandal was a good thing. But for my mother, I am sure she would say, ‘What a price I had to pay!’”– Seymour Platt, ‘My Mother, Christine Keeler’ Continue reading →

‘Man, Woman and Sin’ and ‘A View From the Bridge’ at Cinecon

12 Tuesday Sep 2023

Posted by marina72 in Film, Jeanne Eagels, Marilyn Monroe, Theatre

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A View From the Bridge, Actors Lab, Actors Studio, Anna Christie, Arthur Miller, California, Carol Lawrence, Censorship, Cinecon Classic Film Festival, Eileen Heckart, El Segundo, Elia Kazan, Harry Cohn, House Un-American Activities Committee, HUAC, Jeanne Eagels, John Gilbert, London, Man Woman and Sin, Marilyn Monroe, Maureen Stapleton, Monta Bell, Morris Carnovsky, New Watergate Club, Norman Rosten, Old Town Music Hall, Raf Vallone, Sidney Lumet, Silent Movies, Ted Coy, The Hook

Man, Woman and Sin – the final silent film starring Jeanne Eagels, and her only Hollywood production – enjoyed a rare big-screen outing during the Labour Day weekend, as part of the 59th Cinecon Classic Film Festival at the historic Old Town Music Hall in El Segundo, California. Continue reading →

Scandal ’63 Revisited: Symposium in Leicester

21 Tuesday Mar 2023

Posted by marina72 in Art and Photography, Film, History, Poetry, Politics, Profumo Affair

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Carol Dyhouse, Caroline Collett, Caroline Coon, Cathy Lomax, Christine Keeler, Dameon Priestly, De Montfort University, Fionn Wilson, Gemma June Howell, Guinevere Clark, Leicester, Leicester Gallery, Marguerite Horner, Mari Ellis Dunning, Melanie Williams, Pauline Boty, Profumo Affair, Richard Farmer, Sarah Caulfield, Scandal '63 Revisited, Seymour Platt, Stephen Ward, Steve Chibnall, Sue Tate

A symposium for Scandal ’63 Revisited will be held at Leicester Gallery on Friday, April 14th, ahead of the exhibition’s last day on Saturday. Tickets are free but must be reserved in advance here. (The flyer image seen above shows an outtake from Christine Keeler’s iconic photo shoot with Lewis Morley, who later recreated her most famous pose with the Leicester-born playwright and provocateur, Joe Orton.)

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Tara Hanks

~ Author of 'The Mmm Girl' and 'Wicked Baby'

Category Archives: Film

‘Man, Woman and Sin’ at MoMA

2023: A Year in Film

Sixty Years Later: Scandal ’63 Revisited

‘Man, Woman and Sin’ and ‘A View From the Bridge’ at Cinecon

Scandal ’63 Revisited: Symposium in Leicester