Cinema Revival: ‘The Letter’ in Columbus, Ohio

01 Friday Mar 2024

Posted by marina72 in Film, Jeanne Eagels

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Accent on Girls, Cinema Revival, Clara Bow, Columbus, David Stenn, Dorothy Arzner, Ina Ray Hutton, Jean Harlow, Jeanne Eagels, MGM Convention Reel, Ohio, Pre-Code, The Letter, Wexner Centre for the Arts

The first big-screen adaptation of Somerset Maugham’s The Letter is showing in a new 35mm restoration – from the sole surviving nitrate print – at 2:30 pm tomorrow, March 2, at the Wexner Centre for the Arts at Ohio State University in Columbus, as part of this year’s Cinema Revival. Continue reading →

Gone Ladies: Marilyn and Pauline Boty

13 Tuesday Feb 2024

Posted by marina72 in Art and Photography, Marilyn Monroe, Periodicals, Poetry

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Art Decades, Bruce Davidson, Christie’s, Christopher Gregory, Christopher Logue, Colour Her Gone, Epitaph to Something’s Gotta Give, Gazelli Art House, George Barris, Gone Ladies, John Aston, Lawrence Schiller, Life Magazine, Marc Kristal, Marilyn in Beads, Marilyn Monroe, My Colouring Book, Pauline Boty, Picture Show, Pop Art, Richard Avedon, Some Like It Hot, Something's Got To Give, Sue Tate, Tara Hanks, The Only Blonde in the World, Town Magazine

At left, Marilyn Monroe by Richard Avedon, 1959; and at right, Pauline Boty by John Aston, 1962

Pauline Boty was an English pop artist who created three paintings of Marilyn before her death from cancer, aged 28, in 1966. Although neglected for many years, Boty’s work is now being rediscovered – and in March, one of her Marilyn portraits will go under the hammer at Christie’s, as Joe Dziemianowicz reports for Barron’s Magazine. Continue reading →

Darryl F. Zanuck: The Gentleman Preferred Blondes

18 Thursday Jan 2024

Posted by marina72 in Books, Film, Marilyn Monroe, Music, Non-Fiction

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42nd Street, A Ticket to Tomahawk, Alice Faye, Bernard F. Dick, Betty Grable, Broadway, Carousel, Darryl F. Zanuck, Down Boy, Fred Karger, Gentlemen Prefer Blondes, George Cukor, How to Be Very Very Popular, How to Marry a Millionaire, Howard Hawks, Irving Berlin, Jane Russell, Jayne Mansfield, June Haver, Ladies of the Chorus, Let's Make Love, Marilyn Monroe, Mitzi Gaynor, Musicals, Orson Welles, Richard Zanuck, River of No Return, Sheree North, Shirley Temple, Something's Got To Give, Sonja Henie, The Girl Can't Help It, The Jazz Singer, There's No Business Like Show Business, Twentieth Century Fox, Vivian Blaine, Will Success Spoil Rock Hunter

Bernard F. Dick, a professor of English and communication at Fairleigh-Dickson University in New Jersey, has published many titles on the classical era of Hollywood film-making, covering a wide range of figures like producers Harry Cohn and Hal B. Wallis; directors Joseph L. Mankiewicz and Billy Wilder; actresses Claudette Colbert and Rosalind Russell; and the blacklisted Hollywood Ten. In his 2018 book, That Was Entertainment, Dick hailed the MGM musical as the genre’s ‘Gold Standard,’ reeling off a list of the studio’s all-time greats from The Wizard of Oz to Singin’ in the Rain. Continue reading →

‘Man, Woman and Sin’ at MoMA

06 Saturday Jan 2024

Posted by marina72 in Film, Jeanne Eagels

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Abe Lyman, Adele Astaire, Ben Model, David Stenn, George Eastman Museum, Jeanne Eagels, John Gilbert, Man Woman and Sin, MoMA, Monta Bell, New York, Silent Movies, To Save and Project

Jeanne Eagels with John Gilbert and Marc McDermott in Man, Woman and Sin

Jeanne Eagels’ last silent movie – and her only Hollywood shoot – Man, Woman and Sin (1927) is showing in a restored print as part of To Save and Project, the 20th annual film preservation festival at New York’s Museum of Modern Art (MoMA) next Saturday, January 13th, at 1:30 pm. Continue reading →

2023: A Year in Film

02 Tuesday Jan 2024

Posted by marina72 in Art and Photography, Documentaries, Film, Non-Fiction, Updates

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A Year in Films and TV, Aftersun, Aki Kaurismäki, Alcarràs, Babak Jalali, Broker, Buck and the Preacher, Carla Simón, Catalonia, Charlotte Wells, China, David Leland, Davy Chou, Elisa Jordan, Fallen Leaves, Finland, Fremont, Fyzal Boulifa, Gina Gammell, Hirokazu Koreeda, Humphrey Bogart, Iran, Jim Jarmusch, Killers of the Flower Moon, Korea, Lauren Bacall, Léonor Seraille, Li Ruijun, Marilyn Monroe, Martin Scorsese, Morocco, Mother and Son, Paul Sng, Return to Dust, Return to Seoul, Richard Barrios, Riley Keough, Shirley Anne Field, Sidney Poitier, Spain, The Damned Don't Cry, The Last Stage, The Old Oak, Tish Murtha, Wanda Jakubowska, War Pony, William J. Mann, Wish You Were Here

Adapted from David Grann’s history of the Osage murders, Killers of the Flower Moon was – for me at least – the cinematic event of 2023. With authoritative performances from Leonardo DiCaprio, Robert De Niro and a luminous Lily Gladstone, plus the painterly cinematography of Jack Fisk and a subtly insistent final score from the late Robbie Robertson, Killers channels the spirit of the first revisionist Westerns. While perhaps lacking the flash of this year’s Oscar rivals (Oppenheimer, Poor Things), this is a masterclass in neo-classical filmmaking from Martin Scorsese – and a tough-minded reckoning with America’s brutal origins. Continue reading →